Tuli Mekondjo (Namibia), Onghulungubu Hai Pwa Makiya / Grandmothers always have wise things to say (2019), tecnica mista su tela. Courtesy of the artist and Guns & Rain Gallery
Anton Kannemeyer, On the Nelson Mandela Bridge (Black Scream) (2015), acrilico su tela, Courtesy of the artist and Huberty & Breyne Gallery
Arinze Stanley, Machine Man 3 (2019), carboncino su carta, Courtesy of the artist and TAFETA Gallery
Ben Enwonwu, Christine, stima £100.000-150.000, Courtesy Sotheby's
Bisa Butler, I Am Not Your Negro (2019), arazzo, Courtesy of the artist and Claire Oliver Gallery NYC
Caitlin Cherry, Innervision (2019), olio su tela. Courtesy of the artist and Luce Gallery
Chourouk Hriech, Les apparitions #4 (2019), inchiostro indiano su carta, Courtesy of the artist and L'Atelier 21
Delio Jasse, Sem Valor – Urgente (2019), tecnica mista su fotografia, Courtesy of the artist and Tiwani Contemporary
Eddy Kamuanga Ilunga, Oubilez le passé et vous perdez les deux yeux (2016), tecnica mista, Courtesy of the artist and October Gallery
Kapwani Kiwanga, Subduction Study #4, 2017, stampe piegate su carta, Couretsy Goodman Gallery
Tabita Rezaire, Sorry for Real, Sorry for Soul, 2015, Goodman Gallery
Tuli Mekondjo (Namibia), Onghulungubu Hai Pwa Makiya / Grandmothers always have wise things to say (2019), tecnica mista su tela. Courtesy of the artist and Guns & Rain Gallery
Anton Kannemeyer, On the Nelson Mandela Bridge (Black Scream) (2015), acrilico su tela, Courtesy of the artist and Huberty & Breyne Gallery
Arinze Stanley, Machine Man 3 (2019), carboncino su carta, Courtesy of the artist and TAFETA Gallery
Ben Enwonwu, Christine, stima £100.000-150.000, Courtesy Sotheby's
Bisa Butler, I Am Not Your Negro (2019), arazzo, Courtesy of the artist and Claire Oliver Gallery NYC
Caitlin Cherry, Innervision (2019), olio su tela. Courtesy of the artist and Luce Gallery
Chourouk Hriech, Les apparitions #4 (2019), inchiostro indiano su carta, Courtesy of the artist and L'Atelier 21
Delio Jasse, Sem Valor – Urgente (2019), tecnica mista su fotografia, Courtesy of the artist and Tiwani Contemporary
Eddy Kamuanga Ilunga, Oubilez le passé et vous perdez les deux yeux (2016), tecnica mista, Courtesy of the artist and October Gallery
Kapwani Kiwanga, Subduction Study #4, 2017, stampe piegate su carta, Couretsy Goodman Gallery
Tabita Rezaire, Sorry for Real, Sorry for Soul, 2015, Goodman Gallery
Tuli Mekondjo (Namibia), Onghulungubu Hai Pwa Makiya / Grandmothers always have wise things to say (2019), tecnica mista su tela. Courtesy of the artist and Guns & Rain Gallery